Lake Charles Civic Ballet

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Posts Tagged ‘symphony’

Interview with Adelaide Saucier

Guest Writer: Kelley Saucier, LCCB President

Lake Charles Civic Ballet Principal Adelaide Saucier
     So let me introduce you to my eldest daughter, Adelaide. I can’t believe that she will be graduating from High School this May! It’s because of her that I am here writing all of these ballet company interviews, spending all of my time at the theatre and talking to Lady Holly 100 times a day. She had just turned three when I enrolled her in ballet class because that was what everyone else was doing. In third grade she quit other activities and said, “This is what I want to do.” It was her choice. I had no intention of being a ballet mom, having never spent any time at the barre myself. Yet here I am, and I couldn’t be more grateful.
     Adelaide has the great fortune to play Lilac Fairy, Queen of all the Fairies in The Sleeping Beauty. I asked Addie what the challenge is in being Lilac. Her answer: “What isn’t the challenge of Lilac? There are super challenging steps throughout the ballet. I have to be a leader and act regal, queenly. It’s fun. I am really enjoying it and it has helped me to improve as a dancer. My partnering skills have improved immensely.” In Act II, Lilac has a long partnering sequence with the Prince, Drew Anderson. Adelaide and Drew have been partners many times and I asked about their relationship. “Lady Holly says he calms me down and I give him confidence. It’s a great relationship. We are like brother and sister, and it translates well in our partnership. We have a lot of trust in each other.”
     Lilac Fairy is one of the leads of the ballet and she is in all four acts, so Addie and I talked about her stamina. “I am going to need about two gallons of water pre-intermission and two gallons post intermission, and I will be sucking oxygen in the wings. In Act I, the Birthday Party Scene, I am on pointe the whole time doing all of these bourres. It seems and appears easy, but it is so tough, and I have to look calm and pretty. There can be no tears. We have established levels of difficulty during Sleeping Beauty. The dancers have developed a code and hand gestures to express those levels as part of our comic relief. It’s ‘Fairy Bonding.’ Those bourres are a HIGH level!”
     Kisler Hathaway Whitworth, assistant rehearsal director, daughter of Lady Leah Lafargue Hathaway, artistic director emeritus, has been an important part of the training process for Sleeping Beauty. Addie says, “Kisler has really helped everyone so much, she has put so much into it, she’s great. She’s super positive. If you’re having trouble with a step, she just looks at you and can tell you how to fix it. I know that there is no way I’d be doing my variations as well as I am without her help. She’s really funny and a ham. She’s performing in the ballet and she’s still got it; she’s a pro.”
     Adelaide is grateful for the opportunity to perform a full length ballet with the Symphony with the amazing costumes and sets, and especially the growth as a dancer. This has translated into some great choices for her future – so where will she go to college? “I am still undecided. I am just excited to have choices. But wherever I am, dance will be a part of my life.”
     I said at the beginning of this piece that I am grateful too. For 15 years it has been my joy to watch Adelaide and Gabrielle enjoy the art and discipline of classical ballet and to participate behind the scenes. I never would have imagined my life as a ballet mom, but I have had the most fun being a part of LCCB. Adelaide made a great choice for herself, and for me. I think she will continue to make great choices in life. Who knows where she will lead me next.
     Adelaide is the 17 year old daughter of Kelley and Luke Saucier of Lake Charles. She is a senior at St. Louis Catholic High School. Adelaide has studied ballet for 15 years, the last 10 with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet; in addition she has participated in summer intensive workshops at Central Pennsylvania Youth Ballet, American Ballet Theatre, and Dallas Metropolitan Ballet. Over the years, lead roles in LCCB productions have included The Flirt in Daguerreotype 2007 and 2010, Clemmy in Once Told to Me, Mary and Snow Queen in Rudolph. She also was a part of the 2004 cast of Petrouchka with the Lake Charles Symphony. Adelaide is still deciding where she will attend college next year, but has been accepted to dance programs at Chapman University in Orange, California, Texas Christian University in Fort Worth, Texas where she is an alternate for the Nordan Fine Arts Scholarship, and has received a Loyola Scholar Award to Loyola University in New Orleans.


Profile photo by Cameron Durham / Dance photos by Romero & Romero Photography

Commercial: LCCB 2012 The Sleeping Beauty Ballet

Interview with Annabelle Bang

Guest Writer: Kelley Saucier, LCCB President

     Annabelle Bang is a cheerleader, honor student, and now, I think she will definitely call herself a ballerina. The 15 year old sophomore at St. Louis Catholic High School plays the roles of the Fairy of the Woodland Glade and Red Riding Hood in the upcoming LCCB production of The Sleeping Beauty. Annabelle says “I never expected to be a fairy, and never thought I would have the opportunity for two solo parts in such a big production.”

     In the beginning of the summer, Annabelle says she was frustrated with the choreography of the Woodland Fairy. “I really wasn’t sure I would get it, but I kept working hard. I am more confident now, and a better dancer. The choreography [of the Woodland Fairy] is not too soft and not too sharp. She feels the music, calling to the forest creatures. I really connect with nature from the choreography and the music.”
     Annabelle says that the role of Red Riding Hood is challenging because of the acting. “I have been working in the mirror at home to be afraid of the wolf. Joel is the nicest guy and such a sweet person, that it’s hard to be afraid of him,” she says of Joel Sanchez, one of the guest artists from Austin, Texas. Annabelle also says that working with Joel has improved her partnering skills, an opportunity she would not have without The Sleeping Beauty production.
     When asked about Annabelle Kisler Hathaway Whitworth, assistant rehearsal director says, “It has been my pleasure to work with Annabelle, individually over the past few months, in preparation for her role in Sleeping Beauty.  As we worked together, she not only accepted and executed the corrections that were given to her, but she also asked questions pertaining to various steps within her piece to solidify that she was doing them correctly.  It is that enthusiasm and willingness to learn, that has propelled her to the level of dance that Lake Charles Civic Ballet expects from its dancers.  Annabelle has such a sweet spirit, and she does a beautiful job conveying that through her solo.
     So what does Annabelle think about the performance now that it is right around the corner? “I am super excited and grateful for the chance to work with the Lake Charles Symphony. I am honored to have the roles I have; it’s weird to think about it now.” Hard work does pay off.
     Annabelle is the 15 year old daughter of Kay and Irvin Bang. She is a sophomore at St. Louis Catholic High School, where she also enjoys being a cheerleader. Annabelle has studied ballet for 10 years with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. She has enjoyed many LCCB productions, and especially remembers being a puppet in Rudolph 2009. She has also been featured in Daguerreotype as one of the twins and in Rudolph 2011 as a Scottish dancer. 

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography



Interview with Margaret Lie

Guest Writer: Kelley Saucier, LCCB President

There seems to be no end to the talents of Margaret Lie. This 16 year old junior at St. Louis Catholic High School is serious. Serious about school. Serious about music. And serious about ballet. She is so focused that if you aren’t paying close attention you will miss out on her wry sense of humor, and side-bar jokes. So make no mistake, although she is always the dancer with her books in the dressing room getting all of her homework done, or rushing from Youth Orchestra to Ballet to Student Council, Margaret likes to laugh and have fun!
     So what about playing 3 instruments? Piano, Violin, Flute – she plays them all well. I asked Margaret how that came about. “When I was three, my parents took me to a piano sale and I told them I wanted one, so they bought it and I started lessons. When I was four, I asked for a violin. I had a tiny violin and began taking lessons. Then in fifth grade I joined the school band. The band director told me I needed to play either drums or flute, I said no to the drums, and wasn’t suited for trumpet blowing or anything else, so it was the Flute.”
     Margaret is an honor student with a rigorous academic course load, playing multiple instruments and juggling extracurricular activities besides ballet rehearsals, so I asked her if she sleeps. The answer: “Oh yes. Bedtime is 10:30 PM sharp. It doesn’t matter what I’m doing, if its 10:30 PM, I am falling asleep.”
     When I asked Margaret about the upcoming Sleeping Beauty performance with the Lake Charles Symphony, she described the first time she heard the music in the studio, “It really spoke to me. All of the instruments are showcased individually, it’s beautiful. I was in rapture watching the recent showing of the Bolshoi version at Cinemark.”
     Margaret plays the role of the Fairy of the Golden Vine in the prologue of the LCCB production. She says she was “instantly drawn to it because of the combination of intricate footwork and lots of motion. [The Golden Vine Fairy] uses the entire stage.”
     Margaret will also share the stage with Ashley Eaves and Elizabeth (Lizy) Gates as one of the Jeweled Fairies in the finale; Margaret is gold. She says Ashley and Lizy both have great feet and she works hard to synchronize her steps with theirs. The same goes for the Friends of Aurora segment in Act I with Julia Basone, Gabrielle Saucier, and Marissa White. Margaret says that part “requires so much control and lots of unison. It’s tough.”
     So, is the juggling act worth it? Absolutely. “I am blessed to have the opportunity to dance with the Lake Charles Symphony. Live music is very inspiring.”
     Margaret Lie is the 16 year of daughter of Stephanie and Albert Lie of Lake Charles. She is a junior at St. Louis Catholic High School. Margaret has trained for 14 years at the Lady Leah Lafargue School of the Dance and with Lake Charles Civic Ballet. She has performed feature roles in many LCCB productions including Miss Peacock in Clue, Reflection in Debut, Russian and Swiss in Rudolph. She also was a member of the 2004 LCCB cast of Petrushka with the Lake Charles Symphony.


Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Dance, Conversation, and a Party with Friends

                                       Photo by Romero & Romero Photography


Guest Writer: Kelley Saucier, LCCB President

Lake Charles Civic Ballet took the opportunity to say thank you to sponsors, arts organization leaders, city officials, and special guests on Sunday, November 13, 2011 at Central School Theatre. The event, Sneak Preview & Behind the Scenes with LCCB, hosted by Heather Ieyoub of KVHP Fox29, gave the audience an inside look at the coming season and an opportunity to get to know the choreographers and principal dancers of LCCB as Ms. Ieyoub put them all in the “hot seat” on stage. Lady Holly Hathaway Kaough stated that LCCB’s ambitious season, which includes the Christmas classic Rudolph the Red-Nosed Reindeer in December 2011 as well as The Sleeping Beauty in March 2012 with the Lake Charles Symphony, would not be possible without the continued support from the community. It was a wonderfully intimate gathering of special friends of LCCB who where treated to pre and post performance fare. We all had so much fun and look forward to our next opportunity to interact with our supporters: our Costume Preview Party for Patron Sponsors on March 2, 2012 at L’Auberge Lake Charles. If you aren’t a sponsor yet, it’s not too late to join and be a part of all the fun!

Pictured in photo: Adelaide Saucier, Drew Anderson

The Dancers and the Maestro Meet

Photo by Cameron Durham

It’s not easy to enter the Rosa Hart Theatre via the loading dock door during a July deluge, but somehow, photography equipment, costumes, dancers, Lady Holly and Bohuslav Rattay, the charming new conductor of the Lake Charles Symphony, made it. The purpose? A publicity photo shoot for the March 2012 production of The Sleeping BeautyMaestro Rattay kindly took time out of his busy Summer Pops schedule do the shoot with LCCB principal dancers. Bohuslav  (Bo Hu slav, dancers discovered it is pronounced with the accent on the second syllable) is, as Katelyn Chargois put it, “cool.” He is at ease in front of the camera and jokes around on the set. The dancers enjoyed getting to know our new conductor. 
And what about those yellow sneakers? To honor Bohuslav, the girls showed up in colored Converse All Stars, only to discover that the Maestro’s famous footwear is actually a brand called Diesel. He says they are very comfortable.

Photo by Cameron Durham

While on set, Maestro Rattay told me that he is excited about conducting the Tchaikovsky score. Although he has worked with ballet companies in the past, this will be his first time conducting The Sleeping Beauty.
Talk about a busy schedule! Conducting the Lake Charles Symphony is not the Maestro’s only job. He is currently the music director of the Muncie Symphony Orchestra, Ball State University and has a busy guest conducting schedule. Rattay is originally from Prague, Czech Republic, so he also spends time in Europe. Bohuslav has said many times that he loves the people and the culture of Southwest Louisiana, and is most happy to be here. In a recent email conversation he shares, “I am eagerly looking forward to working with the young dance talents of Southwest Louisiana and foreseeing that this production of The Sleeping Beauty will awaken the Lake Charles arts community….. “ All involved believe that when combined, the talents of these two distinct organizations create an electrifying synergy greater than the sum of its parts and will add to an already lively arts season in Southwest Louisiana.

LCCB can’t wait to meet with Bohuslav and the rest of the Lake Charles Symphony orchestra in March. Mark your calendars for Saturday, March 17, 2012 at 7:00 PM. You won’t be disappointed!

Kelley Saucier
2011-2012 LCCB Board President

LCCB Season Sponsorships are available now, and include tickets to The Sleeping Beauty. Call Kelley Saucier at 337-513-5808 for more information. You may also visit the website at www.lakecharlescivicballet.com.

Lake Charles Symphony Season Memberships are also available now. For more information call their ticket hotline at 337-433-1611 or visit their website at www.lcsymphony.org.

The Ballet Attends the Symphony Summer Pops

Bohuslav Rattay, conductor of the Lake Charles Symphony pauses after the show with Lady Holly Hathaway Kaough, Artistic Director of Lake Charles Civic Ballet and some of the company’s performing members.

Guest Writer: Kelley Saucier, LCCB Secretary

Dancers have been busy all summer rehearsing and training for the upcoming season, but they took a break Saturday, July 16 to enjoy the Lake Charles Symphony Summer Pops featuring the Austin, TX based band Asleep at the Wheel. Besides the premier of the Harry Potter finale, the Summer Pops is the must see event of the season.

Lady Holly bought pizzas for the dancers, rewarding those who had worked so hard all week, but the girls had none of that. They are in serious training mode, and were seen sipping water and joining in for the last number on the dance floor. A fabulous time was had by all, highlighted by a photo op with Maestro Bohuslav Rattay! LCCB is already marking the calendar for next year’s event.