Lake Charles Civic Ballet

Posts Tagged ‘season’

LCCB Profiles: Elizabeth Gates

                          Choreographer

Photo by Cameron Durham / Elizabeth Lauren Gates


LCCB PROFILES — Elizabeth Lauren Gates from Lake Charles Civic Ballet on Vimeo.

Elizabeth ‘Lizy’ Gates trained with Lady Leah Lafargue School of the Dance just prior to attending the University of North Carolina School of the Arts. Since school Lizy has been a guest performer with many professional companies and worked as a ballet instructor and choreographer for studios in Louisiana and Texas. Beyond her classical ballet education, Lizy has studied the modern techniques of Martha Graham, Lester Horton, and Merce Cunningham. Her inspiration for her choreography comes from many sources, but she says her main inspiration is the music itself.

This season Lake Charles Civic Ballet is fortunate to have Lake Charles native Elizabeth Gates in the studio working with dancers and participating in our season. During a sneak preview in November, a trio of principal dancers performed Psalm of Spring which was choreographed by Ms. Gates especially for the event. Elizabeth Gates’ Psalm of Spring will be featured at the LCCB Spring Performance later this season.

Dance, Conversation, and a Party with Friends

                                       Photo by Romero & Romero Photography


Guest Writer: Kelley Saucier, LCCB President

Lake Charles Civic Ballet took the opportunity to say thank you to sponsors, arts organization leaders, city officials, and special guests on Sunday, November 13, 2011 at Central School Theatre. The event, Sneak Preview & Behind the Scenes with LCCB, hosted by Heather Ieyoub of KVHP Fox29, gave the audience an inside look at the coming season and an opportunity to get to know the choreographers and principal dancers of LCCB as Ms. Ieyoub put them all in the “hot seat” on stage. Lady Holly Hathaway Kaough stated that LCCB’s ambitious season, which includes the Christmas classic Rudolph the Red-Nosed Reindeer in December 2011 as well as The Sleeping Beauty in March 2012 with the Lake Charles Symphony, would not be possible without the continued support from the community. It was a wonderfully intimate gathering of special friends of LCCB who where treated to pre and post performance fare. We all had so much fun and look forward to our next opportunity to interact with our supporters: our Costume Preview Party for Patron Sponsors on March 2, 2012 at L’Auberge Lake Charles. If you aren’t a sponsor yet, it’s not too late to join and be a part of all the fun!

Pictured in photo: Adelaide Saucier, Drew Anderson

Elastic and Tulle

Photos by Cameron Durham

LCCB performed The Sleeping Beauty ballet in 1995 with new costumes and sets. The costume creator for the performance was Costume Designer Ray Delle Robbins. Recently our company returned to Houston—back to Ray Delle so she could revive her creations to their beautiful beginnings. With help from Bobbie Grizzle who has labored beside Ray Delle for over 20 years, the women silently measured and pinned and wrote notes on small tan cards. Many alterations will be needed for over fifty costumes worn by the lead characters in the ballet.

Ray Delle recalled our original order for The Sleeping Beauty ballet as clearly as if it were yesterday. During her inspection of the costumes on this visit, she found the fabrics and designs still fresh and beautiful, but the tulle skirts and the elastic shows were in need of repair. While she worked with each dancer she answered our questions about her career and her job at Houston’s Theatre Under the Stars.

She began her education as an art and drama major, but quickly realized she liked to eat more than she liked to perform so she earned her teaching certificate. After teaching school for seven years, she worked for 17 years with Houston Ballet in the wardrobe department. For the last 25 years, Ray Delle has been the Costume Shop Manager at TUTS; although her title may change from show to show. Ray Delle manages three shows for TUTS theatre each season. Traveling shows featured at TUTS and her own contract work, fill in her free time. During our fittings, Ray Delle received a visit from her prop man and set man. It was quickly apparent they are a close theatre family as they greeted each other with bright smiles and hugs.

Ray Delle spoke of her ‘spells’ with certain colors and explained how her costumes show her love for a color during certain periods in her career. She easily recognizes her creations by the fabrics and her stitching. Ray Delle Robbins will be adding to LCCB’s The Sleeping Beauty extensive costume collection with new costumes for King Florestan XXIV and the Queen, Prince Désiré, Bluebird and many, many more. We are now accepting Sponsor memberships, and individual ticket sales will begin later in the year. Visit our website at www.lakecharlescivicballet.com to reserve your seat at the ballet and witness the splendor of Ray Delle’s work up close and personal.

Summer Intensive Is Over: Interview with Three LCCB Dancers

Photo by Cameron Durham / Studio Two

Three Lake Charles Civic Ballet (LCCB) company dancers Marietta Campagna, Adrian Durham, and Katelyn Chargois had ‘intense’ summers. All three dancers participated in a classical ballet summer intensive workshop. Marietta has been a Lady Leah Lafargue School of the Dance (LLL) student for almost 10 years. This is her second year as a LCCB dancer, and her second Summer Intensive (SI) with LCCB. 

Adrian started his dance career five years ago with LLL and has been a LCCB company dancer for three years. This year Adrian auditioned and was accepted to Houston Ballet Ben Stevenson Academy 2011 SI. Therefore, three weeks of Adrian‘s summer was spent with LCCB and three weeks with HB in their new Center for Dance. Adrian has now completed five SI’s.
Katelyn recently received her ten year certificate with LLL. She has been a LCCB company dancer for five years and has just completed her seventh SI. Katelyn auditioned this year for Joffrey Ballet in New York and Houston Ballet. She was accepted to both programs, but chose to attend Houston‘s SI. Katelyn attended all six weeks at HB’s Center for Dance. This was Katelyn’s second visit to HB for summer training.

Photo by Cameron Durham / Center for Dance

LCCB caught up with the three dancers to ask them some questions about their SI experiences. A simple interview sounds like it should be easy enough, but these dancers have been busy all summer, and with their upcoming season, it doesn’t look as though it will slow down anytime soon. Below is our question and answer session with the dancers.

LCCB: It’s customary for students to record all corrections given by instructors. What corrections during your SI did you find most beneficial?
Marietta: The corrections most helpful for me were to pull up and to stretch my foot instead of just pointing it.
Adrian: I received two important corrections this summer—while at the barre I have to adjust my core to keep my balance instead of using the barre to keep the balance for me; and there are times when a dancer doesn’t know a step so you need to rely on yourself instead of just following someone else.
Katelyn: I found the corrections on turns to be the most beneficial. We really worked on our body positioning this summer. When you turn you have to hold your core muscles and breathe. One of the main corrections that helped me with my turning was to think of having a short stomach and a long back. 

LCCB: Our company ballet class includes barre exercises and center work to develop proper technique. Tell us how summer intensive was able to develop your ballet class experience and dance training. 


Marietta: During the summer intensive classes we learned new and different combinations which helped me to improve a lot.
Adrian: My studio in Lake Charles has only a few male dancers. In Houston, I had the opportunity to work with a large group of guys. With the larger group, there was a healthy competition between us, and I was able to let my personality come out working with a group of guys.
Katelyn: During regular season your class time is shared—learning technique and choreography. You have more time during summer intensive to break things down and work on the details of your technique. Since there is more class time each dancer gets more individual corrections, too.

LCCB: What were your favorite classes taken this summer?

Marietta: It’s really fun to learn something new so my favorite classes this summer were musical theatre and jazz. I had a lot of fun in those classes.
Adrian: (without hesitation) Weight training—I learned the proper technique for a male dancer. I have used weights in the past, but this summer I realized I wasn’t really working correctly.
Partnering—this class helped me to understand each partner’s responsibility. We are a team, and we have to work together.
Katelyn: My favorite class this summer was Composition Class—we called it comp. I loved this class because you use your ballet training, but comp is an improvisation class. As an assignment, we had to choreograph our own dances using improvisation. Improvisation gives you freedom. In ballet, you’re trained to do steps a certain way—holding your core and pointing your toes. In comp class, you use your ballet training, but you change the order of the steps to make them your own. It really helps dancers to step outside the box and have a little freedom with their dancing. Dancers need this freedom in order to be less tense and more fluid with their movement.



LCCB: How did you feel about the class offerings and instruction by multiple teachers?
Marietta: Multiple teachers really helped me a lot in learning to focus. The instructors all had different personalities, but they were all really fun to work with so I liked the variety of dance and instruction.
Adrian: With a group of guys, we had classes that were focused for the male dancers. My view of barre has new meaning. Before this summer, I felt it was just something we had to do, but now I understand the need to warm up properly and to prepare properly for center.
Katelyn: Having a variety of dance classes helps me be more relaxed in ballet, and learning different dance styles makes you better prepared for a dance career. 
One of the best things for me was working with the different teachers—you don’t have the repetition of having the same teacher every day. Every teacher sees different corrections to give a dancer. Sometimes they even have a different terminology for the steps. It’s good to learn from a variety of teachers so you can learn to take instruction from anyone.

Photo by Cameron Durham / Studio 540
LCCB: What would you say was the most interesting class instruction you received during your SI training? Explain.


     Marietta: I really liked jazz class because my teacher taught us the
     differences. Things like instead of turning out, you turn in and you stay
     in plié for your turns—really good technique in jazz.
     Adrian: My family eats healthy, and I know about eating a balanced 
     diet. Nutrition class was creepy for me because of the photographs of 
     people with eating disorders.
     Katelyn: I would have to choose Pas de Deux Class—which is 
     partnering. At my studio, we don’t have a lot of partners to work with 
     in class, and it’s good to have the experience working with different 
     partners. Your partners can be all different sizes and strengths and 
     you have to be able to work with all of them. This summer our pas 
     teacher emphasized expression in our dancing. That’s always 
     embarrassing when you’re working with a guy that you don’t really
     know, in a room full of students watching you dance, and you have to 
     give expression to your partner and to the music. It really has to flow 
     and look like a pas de deux. That’s one of the hardest things to 
     do—to make it look beautiful.
This year Lake Charles Civic Ballet has put together an exciting season. During December, they will perform Rudolph the Red-Nosed Reindeer for school groups as well as a matinee and a gala performance for the community. In March 2012, Lake Charles Civic Ballet will perform a full-length ballet The Sleeping Beauty accompanied by the Lake Charles Symphony in the Rosa Hart Theatre. The training that Marietta, Adrian, and Katelyn gained this summer plays a big part in their preparation for such a daring season.

Pictured in photos from top to bottom: 

past and present LCCB company members – Megan Richard, Addie Saucier, Katelyn Chargois, Adrian Durham, Gabby Saucier, and Marietta Campagna

Adrian Durham and Katelyn Chargois

Adrian Durham w/ other HB SI students