Lake Charles Civic Ballet

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Posts Tagged ‘LCS’

Interview with Julia Basone

Guest Writer: Kelley Saucier, LCCB President

     I can tell you from hanging around the studio and theatre, that dancers are most definitely athletes. The beauty and grace you see on stage has a lot of blood, sweat and tears behind it. No pain, no gain? You bet! I have seen more bloody bruised toenails on these dancers’ feet than I ever did when I was running marathons – note the past tense. Not to worry, Julia Basone is part of the Sleeping Beauty cast and she brings with her some very special skills learned during her time as a trainer for the St. Louis Catholic High School athletic teams.
     Most everything Julia has learned as an athletic trainer has been useful in treating herself as a dancer-athlete. “I have learned how to tape wrists and ankles, how to use ice packs, the correct heating pad temperature, when to use heat and when to use cold. It has also been great because I want to go into physical therapy for my profession.” While Julia mostly works with the football teams, she spends the entire school year in athletic PE where she treats any athlete who may need assistance, basketball players, soccer players, you name the sport. I asked her if she could see a connection between ballet and football, “Yes. In ballet, your technique has to be perfect and we learn patterns in choreography. That is sort of like their plays on the field.”
     Julia and I talked about her roles in The Sleeping Beauty, Fairy of the Songbirds in the prologue, and Cinderella with Adrian Durham in the finale. “There has been a big transition from the summer. This has been a year of growth because of the amount of work that has gone into the parts I wanted. It’s the biggest year yet!I initially wanted Annabelle’s (Bang) part and Annabelle wanted mine. We had a bet that she would get the part I wanted and I would get hers – and that is exactly what happened.” I asked her about the difficulty of her fairy role, also called Canary Fairy, because it is so quick and bird-like. “If I miss one step, I could be done. I have to hear every single note and stay with it. The jump is awkward, but it has become natural to me. My pointe work is so much better now.”
     Julia’s partnership with Adrian Durham, Prince Charming to her Cinderella is very comfortable. Although they learned the choreography later than their other parts in the ballet, it has been easy and they are having a lot of fun working together. They are frequent partners in the studio and shared the stage in the Russian dance during Rudolph this past December.
     So what does it feel like now that opening night of The Sleeping Beauty is almost here? “I am happy because as a ballet company we are stronger. Everything has come together so nicely. I feel like I am coming out of my shell because this is my first solo and I’m glad I have the opportunity to do it. I am excited to work with the Symphony, and if they happen to slow down Canary, well, don’t tell Lady Holly, but I won’t complain.” Funny, Julia – we know you can handle the tempo beautifully and we can’t wait to see it on Saturday night!
     Julia is the 15 year old daughter of Robin and Sigmund Basone of Lake Charles. She is a sophomore at St. Louis Catholic High School. Julia has trained for 11 years with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. She has participated in many LCCB productions, but especially remembers being harnessed and flying away as the Balloon Girl in Carnival in Venice 2010. Most recently Julia played the Kari Doll and Russian Dancer in Rudolph 2011. 

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Commercial: LCCB 2012 The Sleeping Beauty Ballet

Interview with Margaret Lie

Guest Writer: Kelley Saucier, LCCB President

There seems to be no end to the talents of Margaret Lie. This 16 year old junior at St. Louis Catholic High School is serious. Serious about school. Serious about music. And serious about ballet. She is so focused that if you aren’t paying close attention you will miss out on her wry sense of humor, and side-bar jokes. So make no mistake, although she is always the dancer with her books in the dressing room getting all of her homework done, or rushing from Youth Orchestra to Ballet to Student Council, Margaret likes to laugh and have fun!
     So what about playing 3 instruments? Piano, Violin, Flute – she plays them all well. I asked Margaret how that came about. “When I was three, my parents took me to a piano sale and I told them I wanted one, so they bought it and I started lessons. When I was four, I asked for a violin. I had a tiny violin and began taking lessons. Then in fifth grade I joined the school band. The band director told me I needed to play either drums or flute, I said no to the drums, and wasn’t suited for trumpet blowing or anything else, so it was the Flute.”
     Margaret is an honor student with a rigorous academic course load, playing multiple instruments and juggling extracurricular activities besides ballet rehearsals, so I asked her if she sleeps. The answer: “Oh yes. Bedtime is 10:30 PM sharp. It doesn’t matter what I’m doing, if its 10:30 PM, I am falling asleep.”
     When I asked Margaret about the upcoming Sleeping Beauty performance with the Lake Charles Symphony, she described the first time she heard the music in the studio, “It really spoke to me. All of the instruments are showcased individually, it’s beautiful. I was in rapture watching the recent showing of the Bolshoi version at Cinemark.”
     Margaret plays the role of the Fairy of the Golden Vine in the prologue of the LCCB production. She says she was “instantly drawn to it because of the combination of intricate footwork and lots of motion. [The Golden Vine Fairy] uses the entire stage.”
     Margaret will also share the stage with Ashley Eaves and Elizabeth (Lizy) Gates as one of the Jeweled Fairies in the finale; Margaret is gold. She says Ashley and Lizy both have great feet and she works hard to synchronize her steps with theirs. The same goes for the Friends of Aurora segment in Act I with Julia Basone, Gabrielle Saucier, and Marissa White. Margaret says that part “requires so much control and lots of unison. It’s tough.”
     So, is the juggling act worth it? Absolutely. “I am blessed to have the opportunity to dance with the Lake Charles Symphony. Live music is very inspiring.”
     Margaret Lie is the 16 year of daughter of Stephanie and Albert Lie of Lake Charles. She is a junior at St. Louis Catholic High School. Margaret has trained for 14 years at the Lady Leah Lafargue School of the Dance and with Lake Charles Civic Ballet. She has performed feature roles in many LCCB productions including Miss Peacock in Clue, Reflection in Debut, Russian and Swiss in Rudolph. She also was a member of the 2004 LCCB cast of Petrushka with the Lake Charles Symphony.


Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

The Dancers and the Maestro Meet

Photo by Cameron Durham

It’s not easy to enter the Rosa Hart Theatre via the loading dock door during a July deluge, but somehow, photography equipment, costumes, dancers, Lady Holly and Bohuslav Rattay, the charming new conductor of the Lake Charles Symphony, made it. The purpose? A publicity photo shoot for the March 2012 production of The Sleeping BeautyMaestro Rattay kindly took time out of his busy Summer Pops schedule do the shoot with LCCB principal dancers. Bohuslav  (Bo Hu slav, dancers discovered it is pronounced with the accent on the second syllable) is, as Katelyn Chargois put it, “cool.” He is at ease in front of the camera and jokes around on the set. The dancers enjoyed getting to know our new conductor. 
And what about those yellow sneakers? To honor Bohuslav, the girls showed up in colored Converse All Stars, only to discover that the Maestro’s famous footwear is actually a brand called Diesel. He says they are very comfortable.

Photo by Cameron Durham

While on set, Maestro Rattay told me that he is excited about conducting the Tchaikovsky score. Although he has worked with ballet companies in the past, this will be his first time conducting The Sleeping Beauty.
Talk about a busy schedule! Conducting the Lake Charles Symphony is not the Maestro’s only job. He is currently the music director of the Muncie Symphony Orchestra, Ball State University and has a busy guest conducting schedule. Rattay is originally from Prague, Czech Republic, so he also spends time in Europe. Bohuslav has said many times that he loves the people and the culture of Southwest Louisiana, and is most happy to be here. In a recent email conversation he shares, “I am eagerly looking forward to working with the young dance talents of Southwest Louisiana and foreseeing that this production of The Sleeping Beauty will awaken the Lake Charles arts community….. “ All involved believe that when combined, the talents of these two distinct organizations create an electrifying synergy greater than the sum of its parts and will add to an already lively arts season in Southwest Louisiana.

LCCB can’t wait to meet with Bohuslav and the rest of the Lake Charles Symphony orchestra in March. Mark your calendars for Saturday, March 17, 2012 at 7:00 PM. You won’t be disappointed!

Kelley Saucier
2011-2012 LCCB Board President

LCCB Season Sponsorships are available now, and include tickets to The Sleeping Beauty. Call Kelley Saucier at 337-513-5808 for more information. You may also visit the website at www.lakecharlescivicballet.com.

Lake Charles Symphony Season Memberships are also available now. For more information call their ticket hotline at 337-433-1611 or visit their website at www.lcsymphony.org.