Lake Charles Civic Ballet

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Posts Tagged ‘Lady Holly’

Interview with Adelaide Saucier

Guest Writer: Kelley Saucier, LCCB President

Lake Charles Civic Ballet Principal Adelaide Saucier
     So let me introduce you to my eldest daughter, Adelaide. I can’t believe that she will be graduating from High School this May! It’s because of her that I am here writing all of these ballet company interviews, spending all of my time at the theatre and talking to Lady Holly 100 times a day. She had just turned three when I enrolled her in ballet class because that was what everyone else was doing. In third grade she quit other activities and said, “This is what I want to do.” It was her choice. I had no intention of being a ballet mom, having never spent any time at the barre myself. Yet here I am, and I couldn’t be more grateful.
     Adelaide has the great fortune to play Lilac Fairy, Queen of all the Fairies in The Sleeping Beauty. I asked Addie what the challenge is in being Lilac. Her answer: “What isn’t the challenge of Lilac? There are super challenging steps throughout the ballet. I have to be a leader and act regal, queenly. It’s fun. I am really enjoying it and it has helped me to improve as a dancer. My partnering skills have improved immensely.” In Act II, Lilac has a long partnering sequence with the Prince, Drew Anderson. Adelaide and Drew have been partners many times and I asked about their relationship. “Lady Holly says he calms me down and I give him confidence. It’s a great relationship. We are like brother and sister, and it translates well in our partnership. We have a lot of trust in each other.”
     Lilac Fairy is one of the leads of the ballet and she is in all four acts, so Addie and I talked about her stamina. “I am going to need about two gallons of water pre-intermission and two gallons post intermission, and I will be sucking oxygen in the wings. In Act I, the Birthday Party Scene, I am on pointe the whole time doing all of these bourres. It seems and appears easy, but it is so tough, and I have to look calm and pretty. There can be no tears. We have established levels of difficulty during Sleeping Beauty. The dancers have developed a code and hand gestures to express those levels as part of our comic relief. It’s ‘Fairy Bonding.’ Those bourres are a HIGH level!”
     Kisler Hathaway Whitworth, assistant rehearsal director, daughter of Lady Leah Lafargue Hathaway, artistic director emeritus, has been an important part of the training process for Sleeping Beauty. Addie says, “Kisler has really helped everyone so much, she has put so much into it, she’s great. She’s super positive. If you’re having trouble with a step, she just looks at you and can tell you how to fix it. I know that there is no way I’d be doing my variations as well as I am without her help. She’s really funny and a ham. She’s performing in the ballet and she’s still got it; she’s a pro.”
     Adelaide is grateful for the opportunity to perform a full length ballet with the Symphony with the amazing costumes and sets, and especially the growth as a dancer. This has translated into some great choices for her future – so where will she go to college? “I am still undecided. I am just excited to have choices. But wherever I am, dance will be a part of my life.”
     I said at the beginning of this piece that I am grateful too. For 15 years it has been my joy to watch Adelaide and Gabrielle enjoy the art and discipline of classical ballet and to participate behind the scenes. I never would have imagined my life as a ballet mom, but I have had the most fun being a part of LCCB. Adelaide made a great choice for herself, and for me. I think she will continue to make great choices in life. Who knows where she will lead me next.
     Adelaide is the 17 year old daughter of Kelley and Luke Saucier of Lake Charles. She is a senior at St. Louis Catholic High School. Adelaide has studied ballet for 15 years, the last 10 with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet; in addition she has participated in summer intensive workshops at Central Pennsylvania Youth Ballet, American Ballet Theatre, and Dallas Metropolitan Ballet. Over the years, lead roles in LCCB productions have included The Flirt in Daguerreotype 2007 and 2010, Clemmy in Once Told to Me, Mary and Snow Queen in Rudolph. She also was a part of the 2004 cast of Petrouchka with the Lake Charles Symphony. Adelaide is still deciding where she will attend college next year, but has been accepted to dance programs at Chapman University in Orange, California, Texas Christian University in Fort Worth, Texas where she is an alternate for the Nordan Fine Arts Scholarship, and has received a Loyola Scholar Award to Loyola University in New Orleans.


Profile photo by Cameron Durham / Dance photos by Romero & Romero Photography

Interview with Anne Veillon

Guest Writer: Kelley Saucier, LCCB President

Anne has studied ballet at Lady Leah Lafargue Schoolof the Dance for 11 years, where, since last year, she also teaches younger students ballet. She says that the transition from student to teacher has been challenging and has caused her to really examine her own dancing and technique.
     Even though Lady Leah is no longer teaching at the studio daily, her presence is still felt. Anne remembers her instruction well, “eyebrows up!” She says that Lady Leah really stressed being expressive and playing to the audience. That lesson obviously took root as Lady Holly Hathaway Kaough, current director of Lady Leah’s dance studio and artistic director of LCCB, says that “Anne consistently projects to the audience and maintains her character throughout a role. She performs the entire time she is on stage.” Of Lady Holly, Anne says that she is “one of the kindest, most sincere people I have ever met. She has such love and fire about her, in all areas of life. She is a busy mom and teacher, and I really admire that about her.”
     In Act I of The Sleeping Beauty Anne plays the role of The Village Girl opposite Joel Sanchez of Austin, Texas. Although her partner is out of town, they had the chance to meet this summer, and recently spent a weekend rehearsing here in Lake Charles. She doesn’t foresee any problems getting the choreography perfected for the performance. “[Joel] is a hard worker and he’s the sweetest guy,” Anne said. They are prepared to get the job done.
     Anne says that it is very exciting to be a part of a big ballet and the studio is very alive right now: “We have been working on this since mid-June, so finally, after nine months it is upon us! There is a great deal of fine tuning happening now, some tension and stress too, but that all comes with the anticipation and excitement. It’s really cool to be a part of this big production with the Lake Charles Symphony.”
     Anne is a junior at McNeese State University majoring in Animal Science. The 21 year old daughter of Darlene and the late Eddie Veillon of Lake Charles hopes to work at a zoo one day. She is looking forward to getting some experience this summer as a volunteer at the Baton Rouge Zoo. Anne has performed in many LCCB productions including Daguerreotype, Clue, Rudolph, Little Drummer Boy, and in ACTS Theatre’s Beauty and the Beast. She is an accomplished singer as well.

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Dance, Conversation, and a Party with Friends

                                       Photo by Romero & Romero Photography


Guest Writer: Kelley Saucier, LCCB President

Lake Charles Civic Ballet took the opportunity to say thank you to sponsors, arts organization leaders, city officials, and special guests on Sunday, November 13, 2011 at Central School Theatre. The event, Sneak Preview & Behind the Scenes with LCCB, hosted by Heather Ieyoub of KVHP Fox29, gave the audience an inside look at the coming season and an opportunity to get to know the choreographers and principal dancers of LCCB as Ms. Ieyoub put them all in the “hot seat” on stage. Lady Holly Hathaway Kaough stated that LCCB’s ambitious season, which includes the Christmas classic Rudolph the Red-Nosed Reindeer in December 2011 as well as The Sleeping Beauty in March 2012 with the Lake Charles Symphony, would not be possible without the continued support from the community. It was a wonderfully intimate gathering of special friends of LCCB who where treated to pre and post performance fare. We all had so much fun and look forward to our next opportunity to interact with our supporters: our Costume Preview Party for Patron Sponsors on March 2, 2012 at L’Auberge Lake Charles. If you aren’t a sponsor yet, it’s not too late to join and be a part of all the fun!

Pictured in photo: Adelaide Saucier, Drew Anderson

"Resonating Fields" — Lois Greenfield’s Dance Photography Exhibit

Guest Writer: Angie Dilmore

Photo by Cameron Durham

The City of Lake Charles and 1911 Historic City Hall Arts and Cultural Center are currently hosting a traveling exhibit called “Resonating Fields,” by photographer Lois Greenfield. Since 1973, Greenfield has been photographing dancers in action. Her work celebrates the art of movement, capturing the grace and beauty of dance in its many forms.


Members of the Lake Charles Civic Ballet are particularly excited about this show. Greenfield’s work inspires and impresses them. They know well the difficulty of the portrayed movements. Photographer Cameron Durham practices his craft all around town, including the ballet studio.

Photo by Cameron Durham

This seventeen-year-old home-schooled senior volunteers as a photographer for the Lake Charles Civic Ballet. Cameron has been studying photography and taking pictures for about four years. Many of his photographs can be found here on the ballet blog.
I had the pleasure of chatting with Cameron at the reception for Greenfield’s exhibit. He appreciates movement in photography and admired Greenfield’s talent for freeze-framing motion. We discussed the challenges of photographing dance. Lighting is important, as well as timing. “The right moment only exists for one thousandth of a second. It’s very hard to catch,” says Cameron. But he says his greatest challenge in dance photography is “getting the right angle so that it looks like it does on stage.”
Photo by Danley Romero
Cameron aspires to be a professional photographer. “I’ve devoted too much time to photography for it to only be a hobby,” he says. “My dream is to be an editorial photographer.”
Expect more of Cameron’s photography here as he hangs out with the LCCB dancers while they diligently prepare for their ambitious March 2012 production of The Sleeping Beauty.
Lois Greenfield’s show, “Resonating Fields,” can be seen at 1911 Historic City Hall through November 12.


Pictured in photos: 
top-Lady Holly Hathaway Kaough, Mayor Randy Roach
middle-Lady Holly, Adrian Durham, Addie Saucier, Elizabeth Gates
bottom-Cameron Durham


Elastic and Tulle

Photos by Cameron Durham

LCCB performed The Sleeping Beauty ballet in 1995 with new costumes and sets. The costume creator for the performance was Costume Designer Ray Delle Robbins. Recently our company returned to Houston—back to Ray Delle so she could revive her creations to their beautiful beginnings. With help from Bobbie Grizzle who has labored beside Ray Delle for over 20 years, the women silently measured and pinned and wrote notes on small tan cards. Many alterations will be needed for over fifty costumes worn by the lead characters in the ballet.

Ray Delle recalled our original order for The Sleeping Beauty ballet as clearly as if it were yesterday. During her inspection of the costumes on this visit, she found the fabrics and designs still fresh and beautiful, but the tulle skirts and the elastic shows were in need of repair. While she worked with each dancer she answered our questions about her career and her job at Houston’s Theatre Under the Stars.

She began her education as an art and drama major, but quickly realized she liked to eat more than she liked to perform so she earned her teaching certificate. After teaching school for seven years, she worked for 17 years with Houston Ballet in the wardrobe department. For the last 25 years, Ray Delle has been the Costume Shop Manager at TUTS; although her title may change from show to show. Ray Delle manages three shows for TUTS theatre each season. Traveling shows featured at TUTS and her own contract work, fill in her free time. During our fittings, Ray Delle received a visit from her prop man and set man. It was quickly apparent they are a close theatre family as they greeted each other with bright smiles and hugs.

Ray Delle spoke of her ‘spells’ with certain colors and explained how her costumes show her love for a color during certain periods in her career. She easily recognizes her creations by the fabrics and her stitching. Ray Delle Robbins will be adding to LCCB’s The Sleeping Beauty extensive costume collection with new costumes for King Florestan XXIV and the Queen, Prince Désiré, Bluebird and many, many more. We are now accepting Sponsor memberships, and individual ticket sales will begin later in the year. Visit our website at www.lakecharlescivicballet.com to reserve your seat at the ballet and witness the splendor of Ray Delle’s work up close and personal.